{"id":105116,"date":"2025-12-02T18:02:58","date_gmt":"2025-12-02T18:02:58","guid":{"rendered":"https:\/\/sotnews.agency\/?p=105116"},"modified":"2025-12-02T18:02:58","modified_gmt":"2025-12-02T18:02:58","slug":"ghana-television-channels-killed-our-movie-industry-selassie-ibrahim-claims","status":"publish","type":"post","link":"https:\/\/sotnews.agency\/?p=105116","title":{"rendered":"\u2018Ghana television channels killed our movie industry\u2019 \u2013 Selassie Ibrahim claims"},"content":{"rendered":"<div class='booster-block booster-read-block'>\n                <div class=\"twp-read-time\">\n                \t<i class=\"booster-icon twp-clock\"><\/i> <span>Read Time:<\/span>2 Minute, 42 Second                <\/div>\n\n            <\/div><div>\n<p>Ghanaian actress and film producer Selassie Ibrahim has criticised local television channels, squarely blaming them for the collapse of Ghana\u2019s vibrant film industry, often dubbed \u201cGhallywood\u201d.<\/p>\n<p>Speaking passionately during an interview on <strong>Daybreak Hitz on Hitz FM<\/strong>, Ibrahim asserted that the channels prioritise cheap foreign content over high-quality local productions, rendering the business model for Ghanaian filmmakers unsustainable.<\/p>\n<p><strong>The Unprofitable Local Content Dilemma<\/strong><\/p>\n<p>Selassie Ibrahim, a key figure in the industry for decades, criticized the lack of support and the low acquisition fees offered to Ghanaian producers, contrasting it sharply with the readily accepted influx of foreign movies.<sup><\/sup><\/p>\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201cLook, the TV channels are not helping us. I\u2019ll say it again. I don\u2019t care what they think. I don\u2019t care what they say. I\u2019ve said it before and they bashed me. But you know what? I will still keep saying it until they help us.\u201d<\/p>\n<\/blockquote>\n<p>She highlighted the massive disparity between production costs and acquisition fees, arguing that local channels actively force producers into debt:<\/p>\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201cYou shoot content and send it to TV channels; they look into your eyes and tell you a thousand Ghana cedis [GH\u20b51,000] when I spent over $20,000 to $30,000.\u201d<\/p>\n<\/blockquote>\n<p>This inadequate pricing structure, she argues, makes it impossible for producers to recoup their investment, leading to the current state of industry inactivity.<\/p>\n<p><strong>Prioritising Cheap Foreign Films<\/strong><\/p>\n<p>The producer pointed out the irony that local channels often prioritise old, amortised foreign content over brand-new Ghanaian productions.<\/p>\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201cYet they go and buy movies that are 10 years old that had made their money out of cinema and everything.\u201d<\/p>\n<\/blockquote>\n<p>She questioned the economic logic of this practice and accused the channels of wilfully destroying the indigenous creative economy:<\/p>\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201cYou want us to sell it to you the same? Do you want to collapse [our businesses]? You\u2019ve done it. You see the problem? When people say that, \u2018oh, Ghanaian film is dead,\u2019 my heart bleeds, but how many people can you explain to that it started from the TV channels because they killed our industry?\u201d<\/p>\n<p><strong>The Failure to Celebrate Our Own<\/strong><\/p>\n<\/blockquote>\n<p>Ibrahim also touched on a deeper cultural issue: the perceived Ghanaian bias against local content, which she believes is reinforced by television programming choices.<\/p>\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201cBecause when you go to Nigeria, you don\u2019t find them watching any Ghanaian movie. But in Ghana, anything foreign is fine; everything Ghanaian is bad. They will criticise. They will not go and watch. I can\u2019t figure it out. I don\u2019t get it? We don\u2019t know how to celebrate our own\u2026 and that is what has killed Ghana movie till today.\u201d<\/p>\n<\/blockquote>\n<p>Ghana\u2019s film industry, which thrived in the early 2000s, has seen a sharp decline in production volumes since 2015. <\/p>\n<p>Analysts often cite the combination of low TV licensing fees, the proliferation of cheap satellite channels, and a lack of government regulatory quotas (unlike in countries like Nigeria and South Africa) that mandate a minimum percentage of local content as the primary factors driving the economic collapse.<\/p>\n<p>Ibrahim\u2019s public stance places the responsibility for the industry\u2019s recovery directly on the regulatory bodies and the television channel owners to implement fair pricing and a supportive programming strategy.<\/p>\n<\/div>\n        <div class=\"booster-block booster-reactions-block\">\n            <div class=\"twp-reactions-icons\">\n                \n                <div class=\"twp-reacts-wrap\">\n    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&#8220;Ghallywood&#8221;.<\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":{"facebook_2277560469115098_106292521332774":"","twitter_aToxNzczMzI3Njk4OTg4ODUxMjAxOw==_1773327698988851200":""},"rop_publish_now_history":[],"rop_publish_now_status":"pending","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[536,1914,2019,13078,213,1300,10,9],"tags":[],"class_list":["post-105116","post","type-post","status-publish","format-standard","hentry","category-ghana","category-hp-entertainment-1","category-hp-news-10","category-movie","category-movies","category-nigeria","category-politics","category-popular"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/sotnews.agency\/index.php?rest_route=\/wp\/v2\/posts\/105116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sotnews.agency\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sotnews.agency\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sotnews.agency\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sotnews.agency\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=105116"}],"version-history":[{"count":0,"href":"https:\/\/sotnews.agency\/index.php?rest_route=\/wp\/v2\/posts\/105116\/revisions"}],"wp:attachment":[{"href":"https:\/\/sotnews.agency\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=105116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sotnews.agency\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=105116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sotnews.agency\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=105116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}